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Christopher
Foster
Contact details:
chris@tisl.co.uk
www.singersdirect.org
With
the Samling Foundation: I was the only baritone selected to
take part in Tom's first residency. The course involved mostly solo
workshops but we expanded these to duets and ensembles by the end
of the week, culminating in an open day and an end of week concert.
Under the guidance of Tom, Pat MacMahon, Simon Over and Malcolm
Martineau I worked particularly on improving my levels of concentration
and my consequent musical achievement. The repertoire ranged from
Mozart to Finzi, via Duparc, Tchaikovsky and a host of other composers
in between. It was a gruelling but hugely beneficial week under
the microscope of this country's finest baritone.
Experiences:
It was initially a slightly intimidating environment but as those
first hours passed, the skill of the teachers and the beauty of
the surroundings enabled us all to move forward as singers. I remember
one session in particular on Bach's St Matthew Passion with Pat
as a key that enabled me to unlock the experience of the week as
a whole and to get the most out of the week. I shall remember the
course for many years to come and if I took one thing away with
me above anything else, it was identifying the level of concentration
needed to perform at the highest level - it is a lesson I still
strive to learn from, each time I stand on the concert platform
or operatic stage.
Past
Achievements: Educated at Newcastle University and the Britten-Pears
School for
Advanced Musical Studies, Christopher was a winner of the N.F.M.S.
Young Concert Artists' Award. He was a finalist in the Richard Tauber
Competition at The Wigmore Hall and was also selected to take part
in Thomas Allen's inaugural singing course at The Samlings in the
Lake District .
His concert work has seen him perform throughout the UK and Europe
with orchestras such as the BBC Symphony Orchestra, BBC Concert
Orchestra, Britten Sinfonia, Les Musiciens du Louvre, Chapelle Royale,
Vlaams Radio Orkest, Anima Eterna, and the Orchestre Philharmonique
du Luxembourg and conductors such as Pierre Boulez, Sir Andrew Davis,
Mark Minkowski, Phillippe Herreweghe, Frieder Bernius and Joshua
Rifkin. This includes concerts in Madrid of The Messiah at the Auditorio
Nacional de Música, the B
minor Mass at the Teatro Monumental (for Spanish Television), the
Latvian premiere of Elgar's Dream of Gerontius, two concerts in
a Stravinsky Festival in Luxembourg and a performance of The Messiah
in the Concert Hall of the Forbidden City, Beijing.
Christopher has appeared on radio broadcasts in France, Belgium
and at home on BBC Radio 3. These have included Bach's St. Matthew
Passion for the Henry Wood Promenade Concerts on two occasions,
Bruch's Schön Ellen and the world premiere of Donizetti's cantata
Christopher Columbus, Schumann's Manfred and Stravinsky's Le Rossignol
(both at the Royal Festival Hall), the world premiere of Britten's
The Rescue of Penelope in the Aldeburgh Festival and Busoni's Arlecchino
(both at the Snape Maltings).
His operatic roles include Mozart's Figaro (Kentish Opera) and Count
Almaviva (covered for Sir John Eliot Gardiner), Don Alfonso in Così
fan tutte (Britten-Pears School), Massetto in Don Giovanni, Alidoro
in La Cenerentola, Germont Père in La traviata (Pavilion
Opera), Marcello in La bohème, Morales and El Dancaïro
in Carmen (Pavilion Opera), Marullo in Rigoletto (Pavilion Opera),
Arthur in Maxwell Davies' The Lighthouse and Sam in Bernstein's
Trouble in Tahiti (Gent, Belgium). His recordings include Purcell's
Timon of Athens conducted by Trevor Pinnock and Bach's Cantata No.
34 conducted by Sir John Eliot Gardiner both for Deutsche Grammophon.
Current
and Forthcoming Activities: Christopher is shortly to go to
Rouen Opera to cover the role of The Traveller in Curlew River for
three performances in February 2003. Forthcoming oratorio work includes
The Messiah in Norwich Cathedral, St John Passion (Christus) in
Newcastle and the arias at Manchester Cathedral, Carmina Burana
in Worthing and his first performance of Mahler's 8th Symphony,
in the Usher Hall, Edinburgh.
On
November 6th, 2003 he is giving a lunchtime recital of English and
French songs at the Banqueting House, Whitehall, London. With the
music of Butterworth, Somervell, Gurney, Bridge, Finzi, CW Orr Debussy
and Poulenc 'A Soldier's Tale' will be told. From peacetime, to
the journey towards war, the waiting, the longing for home, the
battle and the aftermath and slowly back towards peacetime again.
At the time of writing a repeat of this recital in King's Hall,
Newcastle on November 13th is planned but, as yet, unconfirmed.
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