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Divining

Transition Series - Angela Hughes
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Southdown
Drive
Your
family house
Is sold, at last, so you're cut loose
From your one-time base.
In your Mum's new pad
You're a guest (like me). so we
Entwine, just this night,
In your sister's bed
Where kind suburban silence
Tucks in our Sunday.
Outside, foxes flit
Under cars, beneath bin bags
Arousing pet dogs
With their vixen scents.
We're so intensen now, catching
Each others gasps in
Our murmuring mouths -
Afraid if the household should stir
As our pulses chip
At our last constraints.
When the spell's broken, we try
Not to think how low
Down in this city
We could fall...Come morning, loud
Kids are passing us
O their way to schools;
Their young accents shapr and cleam
As light through clinking
Milk bottles, lifted.
I try them out on my tongue -
Twee passports of sound.
Matthew
Clegg
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Three
young professional artists were chosen to participate in 'Divining',
the Foundation's first residency project in the North East of England.
The landscape painter Angela Hughes, photographer Dan May and poet
Matthew Clegg were invited to explore shared ideas and themes, take
soundings, make references and feel the pull of 'gravities' reflecting
their individual response to their chosen locations. As part of
the residency the artists worked with a group of specially selected
'A' Level Art specialists from seven High Schools in Newcastle upon
Tyne.
Location
was the catalyst for all three artists. Angela Hughes chose Swan
Hunter shipyard on the River Tyne, Dan May the Northumbrian coastline
and rural Cumbria and the poet Matthew Clegg moved between the two,
drawing at times uneasy comparisons between town and country.
It
was a challenging year for the artists, who battled not just with
the elements that conspired against them relentlessly, but also
with the tragic implications of the Foot and Mouth crisis, which
made gaining access to the countryside difficult. We are enormously
grateful to them for their dedication and also for their inspired
teaching and sheer hard work. They were assisted by the staff from
the participating schools who gave of their time unstintingly.

Buttermere 1 and Derwentwater Jetty - Dan May
Two
exhibitions at the University Gallery of Northumbria - one of the
artists' work and the other of the students' - demonstrated what
had been achieved during the residency. This body of work gave substance
to the faith of all the 'diviners' who shared in this unique project.
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